active since 27th November 2024, stereo microphones are suspended approx. 6m height of the roof of a victorian terrace looking onto Arnos Vale Cemetery in the South -East of Bristol.
active since April 2023 please go to hydro(F)iles to find out more
active since March 2023 and part of a larger sound commission and art project by Tom Fisher.
PLEASE RETURN TO THIS SPACE AS MORE TRANSMITTERS WILL BE ADDED......
In the coming years of my practice-based PhD studies at the Departement of Geography, Centre for Geohumanities, RHUL, London, I aim to develop a critical framework and transdisciplinary creative practice that employs live audio streaming as a unique platform for alternative models of listening and responding to environments.
In ‘live audio streaming’, microphones are embedded in places semi-permanently; they transmit sound continuously from one location to many possible listeners over the internet. Through these ‘streamers’, it is possible to tune-in to the dawn chorus in Kolkata or a thunderous storm in the Dolomite Mountains in real-time. For some, live audio streaming is a symptom of the digital shift toward streaming everything. For others, it transforms the act of ‘listening to’ into ‘listening with’ environments, furthering an ethical reorientation to more-than-human life on a shared planet, and expanding geographic borders. Despite the ‘sonic turn’ in the environmental and geohumanities, this shift in listening is vastly underexplored, yet it holds significant and urgent potential for our capacities to attune to a planet in an era of climate crisis.
In ‘live audio streaming’, microphones are embedded in places semi-permanently; they transmit sound continuously from one location to many possible listeners over the internet. Through these ‘streamers’, it is possible to tune-in to the dawn chorus in Kolkata or a thunderous storm in the Dolomite Mountains in real-time. For some, live audio streaming is a symptom of the digital shift toward streaming everything. For others, it transforms the act of ‘listening to’ into ‘listening with’ environments, furthering an ethical reorientation to more-than-human life on a shared planet, and expanding geographic borders. Despite the ‘sonic turn’ in the environmental and geohumanities, this shift in listening is vastly underexplored, yet it holds significant and urgent potential for our capacities to attune to a planet in an era of climate crisis.