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	<title>liamazzari</title>
	<link>https://liamazzari.com</link>
	<description>liamazzari</description>
	<pubDate>Mon, 01 Jun 2026 08:14:48 +0000</pubDate>
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	<item>
		<title>Home</title>
				
		<link>https://liamazzari.com/Home</link>

		<pubDate>Mon, 05 Oct 2020 17:26:10 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

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		<description>
	LIA MAZZARI
	



</description>
		
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	<item>
		<title>BIO/CV/PORTFOLIO</title>
				
		<link>https://liamazzari.com/BIO-CV-PORTFOLIO</link>

		<pubDate>Mon, 05 Oct 2020 17:26:10 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

		<guid isPermaLink="true">https://liamazzari.com/BIO-CV-PORTFOLIO</guid>

		<description>BIO

&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/bfbba0cf49be19446defba1d027b3bcd6c6420aae79f5c5f31c8132d0854a283/08-lia.jpg" data-mid="87366211" border="0"  src="https://freight.cargo.site/w/1000/i/bfbba0cf49be19446defba1d027b3bcd6c6420aae79f5c5f31c8132d0854a283/08-lia.jpg" /&#62;



	PHOTO BY Vincent LeChapelin
	




	
&#38;nbsp;Lia Mazzari (b. Merano, Italy) is a sound artist and researcher working with open-source sound transmission technologies in environmental research as unique tools for alternative ‘live’ models of listening, responding to, and composing with more-than-human environments. Her solo and collaborative works span activist radio labs, cryospheric sound transmissions, whip cracking performances and experimental cello concerts. Recorded and ‘live’ events explore the relationship to sound and listening, often engaging environmental recording, voices, instrumentation, film, radio and most notably ecological live audio transmission methods.

Winner of an Oram Award in 2022, Lia was the founding producer of Silver Road, a drained water tank for time-based art practices in South-East London. She has developed works for Tate Modern/Britain (UK), Biennale Gherdeina (IT), Zone2Source Gallery (NL), South London Gallery (UK), Arnolfini (UK), V&#38;amp;A Dundee (UK), Messner Mountain Museum (IT), Q-02 (BE), BBC Radio 3,&#38;nbsp;British School of Rome (IT), and&#38;nbsp; Sunaparanta Goa Centre for the Arts (IN). She is currently an AHRC/Techne-funded PhD candidate at the Centre for GeoHumanities Royal Holloway, University of London.

	Lia performed alongside Tarek Atoui, Ashley Paul, Takahiro Kawaguchi, Angharad Davies, Ilan Volkov, Christof Migone, David Toop, Sarah Davachi, Áine O’Dwyer, Maria Chavez, Sholto Dobie and Tom White. Recent projects also include an audio-visual performance project ‘panOrama’ with Kathy Hinde and Dali de Saint Paul and occasional ‘listening and radio’ collaborations with London based Soundcamp Cooperative.&#38;nbsp;

Link to short portfolio here

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	<item>
		<title>Elemental Foley</title>
				
		<link>https://liamazzari.com/Elemental-Foley</link>

		<pubDate>Mon, 01 Jun 2026 08:14:48 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

		<guid isPermaLink="true">https://liamazzari.com/Elemental-Foley</guid>

		<description>~ Elemental Foley ~
a solar-powered live audio transmission streaming from the ‘End of the World’ glacier on Mount Ortles, Stelvio&#38;nbsp; National Park, North-Italian Alps.
project webiste here&#38;nbsp;
listen to the glacier here on the locusonus soundmap server&#38;nbsp;


&#60;img width="7952" height="4472" width_o="7952" height_o="4472" data-src="https://freight.cargo.site/t/original/i/ec26ea1e93cf6cca151bd627b3a3fa1a550e444afdc65878b1ab95fdab32c15f/GLACIER_1_original.jpg" data-mid="248958430" border="0"  src="https://freight.cargo.site/w/1000/i/ec26ea1e93cf6cca151bd627b3a3fa1a550e444afdc65878b1ab95fdab32c15f/GLACIER_1_original.jpg" /&#62;












The glacier listens – from geological deep time to digital real time 


 What knowledges emerge when we listen to a glacier in real time? 

How does it feel to become ecological witnesses to our rapidly shifting landscapes?


You are listening to a live audio broadcast from the “End of the World” glacier in Northern Italy’s Stelvio National Park. The solar-powered listening station, installed at ca. 2.600 metres above sea level on the Ortles mountain, has been transmitting since July 2025.


This stream is a living archive of the glacier’s cyclical sonic and material life, allowing us to witness meltwater rhythms, torrential sediment flows carving the ice, avalanches, animal life and the seasonal impacts of wind and weather stroking the microphones, in real time.


The live composition creates a portal between “here” and “there”, connecting us, as listeners, to more-than-human environments as they unfold over time. It is an act of remote presence, attuning us to the accelerating transformations of our planet through sound, technology and listening. By asking “Who is listening to whom?” and “What does the glacier hear?” the work proposes the glacier as a perceptive being within its own environment, inviting the listener to enter a process of ‘listening with’ the glacier.
 



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	<item>
		<title>LIVE AUDIO TRANSMITTERS</title>
				
		<link>https://liamazzari.com/LIVE-AUDIO-TRANSMITTERS</link>

		<pubDate>Thu, 21 Nov 2024 15:28:58 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

		<guid isPermaLink="true">https://liamazzari.com/LIVE-AUDIO-TRANSMITTERS</guid>

		<description>CURRENTLY ACTIVE LIVE AUDIO TRANSMISSION :


active since July 2025, this stereo microphone is streaming from the ‘end der welt’ glacier [eng. end of the world glacier] on the Ortles mountain in Stelvio National Park, Northern Italy. &#38;nbsp;

a hydrophone swimming inside the the Amstel Canal just below Berlage Brug, transmitting since April 2022. Please go to hydro(F)iles to find out more&#38;nbsp;

a stereo microphone inside the cavity space of a bascule bridge at Hortus Brug in Amsterdam city centre transmitting since April 2022.&#38;nbsp;Please go to hydro(F)iles to find out more 
PLEASE RETURN TO THIS SPACE AS MORE TRANSMITTERS WILL BE ADDED......

These live audio transmitters are possible and hosted through the Locus Stream Soundmap by the research initiative and group Locus Sonus based at the ESAAIX (Ecole Supérieure d’Art d’Aix).&#38;nbsp;
Please explore their open microphone soundmap for more globally hosted environmental live audio streams.&#38;nbsp;




	&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/a1f308a1689d34bd6261f28006827ee05532eee539d7292b65a20b4d5f46645a/lia-installing-box.JPG" data-mid="222194728" border="0" data-scale="100" src="https://freight.cargo.site/w/768/i/a1f308a1689d34bd6261f28006827ee05532eee539d7292b65a20b4d5f46645a/lia-installing-box.JPG" /&#62;
	In the coming years of my practice-based PhD studies at the Departement of Geography, Centre for Geohumanities, RHUL, London, I aim to develop a critical framework and transdisciplinary creative practice that employs live audio streaming as a unique platform for alternative models of listening and responding to environments.
In ‘live audio streaming’, microphones are embedded in places semi-permanently; they transmit sound continuously from one location to many possible listeners over the internet. Through these ‘streamers’, it is possible to tune-in to the dawn chorus in Kolkata or a thunderous storm in the Dolomite Mountains in real-time. For some, live audio streaming is a symptom of the digital shift toward streaming everything. For others, it transforms the act of ‘listening to’ into ‘listening with’ environments, furthering an ethical reorientation to more-than-human life on a shared planet, and expanding geographic borders. Despite the ‘sonic turn’ in the environmental and geohumanities, this shift in listening is vastly underexplored, yet it holds significant and urgent potential for our capacities to attune to a planet in an era of climate crisis.

Please watch this space for new live audio streams and updates on the research project.&#38;nbsp;

If you have any questions about my research, if you want to talk about live audio streaming in general or if you are interested in hosting a live audio stream feel free to contact me on liarennt@gmail.com.&#38;nbsp;




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	<item>
		<title>the greening</title>
				
		<link>https://liamazzari.com/the-greening</link>

		<pubDate>Mon, 28 Oct 2024 14:54:57 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

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		<description>the greeningfilm 7:03 min

2024
shown 17th July 2024, at Positionen Magazin Launch, Rosastern, Munich.
The earth is getting greener, but not all plants are created equally.&#60;img width="2974" height="1702" width_o="2974" height_o="1702" data-src="https://freight.cargo.site/t/original/i/76ab83a3ccc0e6f10e9eeaf6f5292feec3703f242d3d055753f6b9d1db8232e1/Screenshot-2024-09-24-at-09.21.35.png" data-mid="220420115" border="0"  src="https://freight.cargo.site/w/1000/i/76ab83a3ccc0e6f10e9eeaf6f5292feec3703f242d3d055753f6b9d1db8232e1/Screenshot-2024-09-24-at-09.21.35.png" /&#62;
 

Increased industrial green vegetation growth across the planet means we are creating contradictory narratives on our planet. ‘the greening’ forms part of an ongoing research into the idiosyncrasies afforded by industrially accelerated leaf growth, commercial crops, and misattunement of remote sensing technologies. Watching the commercial expansion of palm oil plantations on Peninsular Malaysia with a plane’s eye view from above, while ‘listening from below’ with the protected but struggling site of Penang National Park, previously known as the Pantai Acheh Forest Reserve on Penang Island, the work reveals a disconnect and hierarchies image based Earth observation technologies can create in debates around biodiversity preservation and ecological conservation.


&#38;nbsp;</description>
		
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	<item>
		<title>guano spells</title>
				
		<link>https://liamazzari.com/guano-spells</link>

		<pubDate>Mon, 28 Oct 2024 14:42:21 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

		<guid isPermaLink="true">https://liamazzari.com/guano-spells</guid>

		<description>guano spells&#38;nbsp;
sound composition and film&#38;nbsp;
sound installation exhibited at Nebyula art space, Munich, July 2024Interactive sound work here&#38;nbsp;
&#60;img width="2710" height="1514" width_o="2710" height_o="1514" data-src="https://freight.cargo.site/t/original/i/70dde9698397b461727ffbdae89c807b0c38ff6c0dd126f99cc3d2aad0bb0d86/Screenshot-2024-09-23-at-08.53.05.png" data-mid="220419274" border="0"  src="https://freight.cargo.site/w/1000/i/70dde9698397b461727ffbdae89c807b0c38ff6c0dd126f99cc3d2aad0bb0d86/Screenshot-2024-09-23-at-08.53.05.png" /&#62;

'guano spells' takes place in the Corbières region in the South of France, exploring its post-extinction geographies and their entanglement in the lives of bats. From dried-out basins to charred forests, my sonic journey delves into the haunted histories of the land of the Cathars in southern France, culminating in the ancient monastery of Lagrasse, where colonies of bats seek refuge. ‘Guano Spells’ is a collection of ultrasonic incantations - the very fertilizer of renewal - casting a spell for the hopeful return and proliferation of bat and animal populations amidst the challenges they face. 

We are in the Parc Naturel Corbières-Fenouillèdes, where a colony of rhinolophus bats is finding refuge behind a vast historic open fire chimney stack in the historic Abbaye de Lagrasse (7th Century). Deepest thanks to John Holliday for his guidance and open mindedness towards our artistic endeavor.&#38;nbsp; John is in charge of the observation and protection of the bat colony and nature park. 

In the coming months, John and I will build and install an ultrasonic live audio stream that will sonify the soundscape of the bat colony in real-time. This live audio stream will allow everyone to tune in to the nocturnal chattering and listen with and be with the rhinolophus bats. (live audio link to come) 
The bat species we can hear are: Myotis Daubentonii, Myotis Nattereri, Pipistrellus, Pipistrellus Pigmaeus, Myotis Mystacinus, Nyctalus Leisleri, Pipistrellus Nathusii, Plecotus Auritus, Rhinolophus hipposideros, including the frog sunset and the dawn chorus.
&#60;img width="2551" height="1702" width_o="2551" height_o="1702" data-src="https://freight.cargo.site/t/original/i/1706eb7ed42fdd2f34f9180ff82060c6f12d8aca0f732fb2f24894dccd70ad03/Fragments-of-Sonic-Extraction-18-von-106.jpg" data-mid="220419368" border="0"  src="https://freight.cargo.site/w/1000/i/1706eb7ed42fdd2f34f9180ff82060c6f12d8aca0f732fb2f24894dccd70ad03/Fragments-of-Sonic-Extraction-18-von-106.jpg" /&#62;&#60;img width="1702" height="2551" width_o="1702" height_o="2551" data-src="https://freight.cargo.site/t/original/i/be418fc718a333ab6594edb2f350ed6e57c9ece68aeb5f0a28dd7444a1edeb16/Fragments-of-Sonic-Extraction-84-von-106.jpg" data-mid="220419371" border="0"  src="https://freight.cargo.site/w/1000/i/be418fc718a333ab6594edb2f350ed6e57c9ece68aeb5f0a28dd7444a1edeb16/Fragments-of-Sonic-Extraction-84-von-106.jpg" /&#62;&#60;img width="1702" height="2551" width_o="1702" height_o="2551" data-src="https://freight.cargo.site/t/original/i/3cffaee26ffbad6d3e062be2ac0ecd44edc4d9630772e6c88ebfc38519b20369/Fragments-of-Sonic-Extraction-19-von-106.jpg" data-mid="220419367" border="0"  src="https://freight.cargo.site/w/1000/i/3cffaee26ffbad6d3e062be2ac0ecd44edc4d9630772e6c88ebfc38519b20369/Fragments-of-Sonic-Extraction-19-von-106.jpg" /&#62; 

&#60;img width="1793" height="2551" width_o="1793" height_o="2551" data-src="https://freight.cargo.site/t/original/i/fd28449fc6f6ecde17ad4bd91af2465bc57b11a09140964f60445019d1b91ee4/Fragments-of-Sonic-Extraction-2-von-106.jpg" data-mid="220419370" border="0"  src="https://freight.cargo.site/w/1000/i/fd28449fc6f6ecde17ad4bd91af2465bc57b11a09140964f60445019d1b91ee4/Fragments-of-Sonic-Extraction-2-von-106.jpg" /&#62;Bat echolocation is a marvel of nature, a symphony of sound guiding these nocturnal creatures through darkness with unparalleled precision. Emitting high-frequency calls, bats listen keenly for the echoes bouncing back from objects in their path. This sophisticated sonar system allows them to navigate intricate environments, hunt for prey, and avoid obstacles in the blink of an eye.
At the heart of echolocation lies the Doppler shift phenomenon, a fascinating aspect of physics harnessed by bats to gauge the speed and direction of their prey. As a bat approaches its target, the frequency of its emitted calls compresses, creating a higher-pitched sound. Conversely, as it moves away, the frequency stretches, resulting in a lower pitch. This Doppler shift provides crucial information about the prey's movement, enabling the bat to adjust its trajectory with remarkable accuracy.
But amidst their remarkable abilities, bats face a grim reality. In Europe, bats serve as vital indicators of biodiversity, yet they face alarming declines. In the southern reaches of France, where 31 out of 33 bat species reside, habitat degradation and human disturbance pose existential threats. Species like the Mediterranean horseshoe bat, Long-fingered bat, and Schreiber's bat are particularly imperiled by urbanization, cave disturbance, and intensive agricultural practices. The urgency to protect these creatures is underscored by a lack of scientific understanding and public awareness of their ecological needs. 
The decline of water sources and insect populations, exacerbated by factors like climate change and habitat destruction, threatens their very existence. As water bodies dry up and insect populations dwindle, bats struggle to find sustenance, leading to declines in their populations. This ecological imbalance highlights the interconnectedness of species and the urgent need for conservation efforts to safeguard these vital creatures and the ecosystems they inhabit.
In the intricate dance of echolocation, Doppler shift compensation, and ecological challenges, bats showcase the ingenuity of evolution and the delicate balance of life on Earth.


&#60;img width="2706" height="1512" width_o="2706" height_o="1512" data-src="https://freight.cargo.site/t/original/i/b9216ad5d83a38dbd2904a3fe9fcbdafe632f06ed9bae0428a6e00d848742433/Screenshot-2024-09-23-at-08.48.49.png" data-mid="220419275" border="0"  src="https://freight.cargo.site/w/1000/i/b9216ad5d83a38dbd2904a3fe9fcbdafe632f06ed9bae0428a6e00d848742433/Screenshot-2024-09-23-at-08.48.49.png" /&#62;

Film extracts provided by John Holliday, Parc Naturel Corbières-Fenouillèdes, Abbaye de Lagrasse, April 2024. 

Images and curation by Kalas Liebfried</description>
		
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		<title>instant public address system</title>
				
		<link>https://liamazzari.com/instant-public-address-system</link>

		<pubDate>Mon, 28 Oct 2024 14:27:55 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

		<guid isPermaLink="true">https://liamazzari.com/instant-public-address-system</guid>

		<description>i. p. a. s. for&#38;nbsp;TRANSMISSIONS : Radio Art Lab
instant public address system
4.0 multi channel refurbished horn speaker system

 at Windmill Hill City Farm, July 2024 presented by Brunswick Club, Bristol.&#38;nbsp;
How can landscapes be understood through listening? Remote microphones broadcast in real-time from multiple locations enabling us to listen together through a custom-made outdoor PA system in the Garden Theatre. This temporary network of live audio streams amplifies and connects us to not-so-distant natural and urban sites in Bristol and further afield. 

During the Radio Art Lab, we invited participants to think about and play with how signals are transmitted and received in the human and the more-than-human world, exploring radio art, sound art, eco-acoustics, theremins, detoxifying gardens, subversive streaming, pond dipping, weather instruments and listening together. 

The weekend of workshops held on the farm includes installations RADIO AIR GARDEN by Magz Hall and INSTANT PUBLIC ADDRESS SYSTEMS by Lia Mazzari with a programme of talks and workshops including Bristol Communal Modular, Matt Davies, Thawney,&#38;nbsp; Matthew Olden,&#38;nbsp; Ian Thornhill, Ana Castro-Castellon, Teresa Dillon and Kathy Hinde.
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/54ff1a4443f9a949e308597dcd4f4e24d199ae29967b3cb0e891c1bb4b656005/image-1.jpg" data-mid="220418257" border="0"  src="https://freight.cargo.site/w/1000/i/54ff1a4443f9a949e308597dcd4f4e24d199ae29967b3cb0e891c1bb4b656005/image-1.jpg" /&#62;&#60;img width="8064" height="6048" width_o="8064" height_o="6048" data-src="https://freight.cargo.site/t/original/i/a9546a9bb36297c8ad9bdc64e3e80b092b256b9dc8fdeaadab93dd2f5a4241da/IMG_3.jpg" data-mid="220418258" border="0"  src="https://freight.cargo.site/w/1000/i/a9546a9bb36297c8ad9bdc64e3e80b092b256b9dc8fdeaadab93dd2f5a4241da/IMG_3.jpg" /&#62;&#60;img width="8064" height="6048" width_o="8064" height_o="6048" data-src="https://freight.cargo.site/t/original/i/1037ffbf44a38229c91c18f0fc789475e779f985a25e5e388fad57e6beb90f99/IMG_3096.jpg" data-mid="220418326" border="0"  src="https://freight.cargo.site/w/1000/i/1037ffbf44a38229c91c18f0fc789475e779f985a25e5e388fad57e6beb90f99/IMG_3096.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/dfa40b9fbea841823d704a7a4fb9e67cd45234c1453adf706ccdfc5525cdb5dc/IMG_6174.JPG" data-mid="220418470" border="0"  src="https://freight.cargo.site/w/1000/i/dfa40b9fbea841823d704a7a4fb9e67cd45234c1453adf706ccdfc5525cdb5dc/IMG_6174.JPG" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e5346c52e44d449f11fd2e0b64f66067acb7062b6d0142252ae16c130f13784c/IMG_6184.JPG" data-mid="220418469" border="0"  src="https://freight.cargo.site/w/1000/i/e5346c52e44d449f11fd2e0b64f66067acb7062b6d0142252ae16c130f13784c/IMG_6184.JPG" /&#62;</description>
		
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		<title>hydro(F)iles </title>
				
		<link>https://liamazzari.com/hydro-F-iles</link>

		<pubDate>Sun, 25 Jun 2023 12:08:18 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

		<guid isPermaLink="true">https://liamazzari.com/hydro-F-iles</guid>

		<description>(hydro)Files for Polyphonic Landscapes
artistic research project and&#38;nbsp;
network of 8 environmental live audio transmitters 
exhibited and performed at Zone2Source, Amstel Park
in collaboration with ArtEZ University&#38;nbsp;

Nov 2022 - May 2024, Amsterdam, NL

(hydro)Files was part of the Polyphonic Landscapes artistic research project at Zone2Source Gallery, Amsterdam (NL), and in collaboration with ArtEZ professorhsip Theory in the Arts/ ArtEZ University (NL).
Read here the publication and essays produced for research project.&#38;nbsp;

&#60;img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/2fbeb8a2cbed21e4289206018259c94b3b2370558db47f5033878014c739a5d6/TML20231009_97874.jpg" data-mid="220417854" border="0"  src="https://freight.cargo.site/w/1000/i/2fbeb8a2cbed21e4289206018259c94b3b2370558db47f5033878014c739a5d6/TML20231009_97874.jpg" /&#62;
(hydro)Files installation view at Zone2Source, Amsterdam, Oct-Dec 2023. 

Between March 2023 - December 2024, (hydro)Files consisted of a network of 8 live audio transmitters that continuously broadcast the real-time soundscape from various sites above and below the waterways of Amsterdam. 
8 (open air) stereo microphones and (underwater) hydrophones transmitted sound continously from surface, drinking and sewage waters. Streaming from inside the cavity space of a bascule bridge, inside a public lido and the amstel&#38;nbsp;canals, outisde a historic water pumping station, dangling of temporary cycling bridge, and transmitting from Rotterdam port and via solar power from the sand dunes outside Amsterdam.&#38;nbsp;

Amsterdam has an incredibly long history in water management and a deep going relationship with its waters. One third of the Netherlands is below sea level and most of its land is built on sand. River dikes prevent flooding from water flowing into the country by the major rivers Rhine and Meuse, while a complicated system of drainage ditches, canals, and pumping stations (historically: windmills) keep the low-lying parts dry for habitation and agriculture.&#38;nbsp;
In December 2022, I started a conversation with hydrological scientist Maarten Ouboter about 'giving the water a voice'. Together we located and researched important acoustic landmarks and nodes that reflect the diverse ecologles of the water networks In and around Amsterdam.

hydroFiles is research-in-progress looking into the affordances and limitations of live audio streaming and making contributions to creative discourses on environmental sound. Through the slow and durational monitoring of the digital air waves, the project engages with the emancipatory potential of technology in music and sound art, and prototypes immersive and sustainable strategies for composing new sound works with live audio streams. hydrofiles is supported by Waterschap Amstel, Gooi en Vecht, Waternet and could not have happened without the support of Maarten Ouboter. artist research and concept: Lia Mazzari map: Maarten Ouboter, Frank van Schaik
(hydro)Files is supported by Waterschap Amstel, Gooi en Vecht and by Waternet.


Listen here Live to 2 remaining permanently installed live audio transmitters - [these are not a recordings!]
Hydrophile_1 is a live microphone transmitting from inside the cavity space of Hortus Brug, a bascule bridge in the city centre of Amsterdam

Hydrophile_5 is a live hydrophone broadcasting in real-time from beneath Berlage Brug, in Amsterdam since April 2023.

Our team included: 
Initiative, coordination:Professorship Theory in the Arts, ArtEZ University of the ArtsDr. Peter Sonderen, responsible professorJoep Christenhusz, MA, project leaderZone2SourceAlice Smits, artistic director
Artistic Researchers:Budhaditya Chattopadhyay (IN, NL)Yolande Harris (UK, US)Teemu Lehmusruusu (FI)Lia Mazzari (IT, UK)Project partners:Zone2SourceEducational partners:Honours Lab, ArtEZ University of the Arts


&#60;img width="6162" height="4442" width_o="6162" height_o="4442" data-src="https://freight.cargo.site/t/original/i/6bff31302eb77e4ed9517d43c201f54bb9004aecebd049db6046503b25f70756/IMAGE-1_-hydroFiles_Map.jpg" data-mid="222540609" border="0"  src="https://freight.cargo.site/w/1000/i/6bff31302eb77e4ed9517d43c201f54bb9004aecebd049db6046503b25f70756/IMAGE-1_-hydroFiles_Map.jpg" /&#62;


hydro(F)iles interactive map with QR codes guiding listeners to live audio streams.&#38;nbsp;


&#60;img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/f66334782401069f74a1bbba2cd9da5d7e173fc42cffcf5de8e16ce6589b7f38/TML20231009_97897.jpg" data-mid="220417856" border="0"  src="https://freight.cargo.site/w/1000/i/f66334782401069f74a1bbba2cd9da5d7e173fc42cffcf5de8e16ce6589b7f38/TML20231009_97897.jpg" /&#62;(hydro)Files outdoor sound installation view at Zone2Source, Amsterdam, Oct-Dec 2023.&#38;nbsp;

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	<item>
		<title>Listening Portals </title>
				
		<link>https://liamazzari.com/Listening-Portals</link>

		<pubDate>Wed, 20 Jul 2022 18:11:16 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

		<guid isPermaLink="true">https://liamazzari.com/Listening-Portals</guid>

		<description>LISTENING PORTALS - UKRAINE&#38;nbsp;
currently showing at ‘State of Emergency” at Sopot State Art Gallery in Poland&#38;nbsp;

‘LISTENING PORTALS’ is a mobile open source project dealing with transmission ecologies during times of crisis.
The work creates sound portals with live sound transmision boxes that were sent and set up in 3 Ukrainian cities: Kyiv, Kharkiv and Odesa.&#38;nbsp;

Project by: Timothy Maximenko in collaboration with Grant Smith from Soundcamp and&#38;nbsp;Ben Parry.

UPDATE: Due to the constantly changing political circumstances in Ukraine and power cuts, changing weather conditions, the sound streams cut out for longer periods. 
We are always trying to fix these issues from afar but the safety and wellbeing of our Ukrainian collaborators who ultimately install the boxes in their chosen locations, is at the forefront of this project.&#38;nbsp;We are currently working on getting Kyiv and Kharkiv back on the network.&#38;nbsp;

Live open microphones can be listened to here: &#38;nbsp;https://listening-portals.github.io

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1170" height="1640" width_o="1170" height_o="1640" data-src="https://freight.cargo.site/t/original/i/8135ea6cc106177c37a2e8833198c32a7dc6dc33b0212dc1185abdb7711a6da2/IMG_1625.jpg" data-mid="148345843" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/8135ea6cc106177c37a2e8833198c32a7dc6dc33b0212dc1185abdb7711a6da2/IMG_1625.jpg" /&#62;</description>
		
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		<title>As If Radio at COP26</title>
				
		<link>https://liamazzari.com/As-If-Radio-at-COP26</link>

		<pubDate>Tue, 17 May 2022 07:26:37 +0000</pubDate>

		<dc:creator>liamazzari</dc:creator>

		<guid isPermaLink="true">https://liamazzari.com/As-If-Radio-at-COP26</guid>

		<description>AIR- RADIO or AS IF RADIO&#38;nbsp;

AIR was an ecological activist radio project which ran from Civic House, Glasgow, during COP26. It relayed live streams by the Acoustic Commons network and others on the Locus Sonus soundmap, together with sound works, interventions in the streets of Glasgow, and discussions with artists and activists. Produced by Soundcamp with Ella Finer, Ben Parry, Lia Mazzari and Hannah Kemp-Welch. &#38;nbsp;

Please follow this link to read about and listen to AIR Radio.


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